Alliteration:
"Half-a-dozen four-footed fiends, of various...."
(p.13)
Simile:
"...and she only remained, heaving like a sea after a high wind, when her master entered on the scene."
(p.13)
Personification:
"...and the moon looked over the high wall of the court..."
(p.93)
Metaphor:
"They were both very attentive to her comfort, certainly. It was not the thorn bending to the honeysuckles, but the honeysuckles embracing the thorn."
(p.92)
Repetition:
" 'Come, come,' he said, ...."
(p.13)
Verbal Irony:
"Well, yes - Oh! you would intimate that her spirit has taken the post of ministering angel, and guards the fortunes of Wuthering Heights, even when her body is gone. Is that it?"
(p.18)
Hyperbole:
"My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being."
(p.84)
Allusion:
"I ordered the miscreants to let me out-on their peril to keep me on minute longer- with several incoherent threats of retaliation that, in their indefinite depth of virulency, smacked of King Lear."
(p.23)
Foreshadowing:
"He has been blaming our father (how dare he?) for treating [Heathcliff] too liberally; and swears he will reduce him to his right place-"
(p.27).
Paradox:
"He'll love and hate equally under cover, and esteem it a species of impertinence to be loved or hated again:"
(p. 11)
